Here you are: my list of the Top Music of 2011…and in no particular order, save for one. You’ll know it when you get there.
The Civil Wars, Barton Hollow
This album came completely out of left field for me. Someone (somewhere) mentioned it — probably on Facebook — and the “duet” factor sounded interesting. I listened to an early release of the title track, Barton Hollow, and it sounded great to me, so I waited patiently for the full release. Strangely enough, the title track (and first single) is not necessarily representative of the rest of the album, which may put some folks off. In fact, the remainder of the album is considerably more mellow. That said, this is a great album if you’ll give it some time. Would I like to hear more of their upbeat stuff? Sure. Maybe next time. But this is definitely one of the best albums to have been released this year.
Death Cab For Cutie, Codes & Keys
Let me be clear on this point: I’m not really a fan of Death Cab For Cutie. I have nothing against them, of course, I’m just not part of their fan base. Still, I heard the first single from this album, and I enjoyed it quite a bit. I decided that the rest of the album needed a good listen-thru, and I’m glad I did. It just sounds like typical “Death Cab” stuff, if you ask me, and that’s not necessarily a bad thing at all. Is it ground-breaking? Not really. But it is very good. Funny thing is… I don’t feel like Death Cab ever really writes any choruses into their songs – it’s just one verse after another. Good stuff, though, and very enjoyable to listen to.
The Decemberists, The King Is Dead
This album was released very early in 2011, so it’s likely to be overlooked by some. That said, it was also the first album of the year to truly capture my attention – and I’m not necessarily a long-time listener of The Decemberists. What can I really say about this album, though? It’s just a strong release thru and thru. Some favorites include: “Dear Avery” and “This Is Why We Fight”.
Jane’s Addiction, The Great Escape Artist
Never in my wildest dreams did I think I’d be including a Jane’s Addiction album on my Top Music of 2011 list. It seemed impossible, but here it is. For some background, I’ve been a long-time Jane’s Addiction fan – dating back to their “Nothing’s Shocking” release – but their most recent releases have not necessarily captivated me. Good? Yes. Great? Not necessarily. So, it was with some skepticism that I grabbed The Great Escape Artist and gave it a listen. (I’m so happy for subscription music services!) Quite simply, I was blown away. Perry Farrell sounds great, the songwriting is top-notch, and (surprisingly) the album is very clean. On the downside? It’s probably one of the worst album covers I’ve seen in a long, long time…
Manchester Orchestra, Simple Math
Having arrived late-to-the-game with Manchester Orchestra, I was very much looking forward to their latest release, Simple Math, and it didn’t disappoint. In fact, I easily consider this to be their strongest album yet. It seems that Manchester Orchestra is growing up in many ways: lyrically, most of all, but also musically. There is still an experimental/indie vibe to their songwriting, but it totally works. Some personal favorite tracks include: “Simple Math”, “Apprehension” and “April Fool”. Just a solid album.
Josh Garrels, Love & War & The Sea In Between
I wouldn’t normally choose a “best album of the year”, but in this case I feel absolutely compelled to name one: Josh Garrels’ “Love & War & The Sea In Between”. There is no doubt in my mind. What started as a mere suggestion from a friend of mine (thanks, Tim!) was followed up by an email from NoiseTrade.com with a link to this album. I figured that I might as well. The first song caught me off-guard. It was more haunting and mellow that I figured it would be. It also sounded a lot like Damien Jurado, which wasn’t a bad thing in my book – but could certainly be polarizing to some. By the end of the third song, I was absolutely sold…and hooked. This is not only the most solid album I’ve heard all year, it’s probably one of the best I’ve ever heard. Seriously. Even better? You fall in love with the first half of the album, and then quickly realize you’ve only partially tapped the beauty of this release. Your favorite tracks shift on a daily or weekly basis. But nothing has struck me more about this album than the lyrics have. Beautiful. Challenging. Heart-wrenching. Encouraging. And everything in-between. If you’re still reading this paragraph and have not yet downloaded this album, then do yourself a favor: head over to NoiseTrade.com and download it for free. You can thank me later. And thank you, Josh Garrels, for what is easily the best album I’ve heard in year…
HONORABLE MENTIONS
Mutemath, Odd Soul
A very solid release from Mutemath, and I definitely prefer this to their last one. Still, not as strong as their self-titled album. I’d like to see the old spark rekindled with these guys.
The Dear Hunter, The Color Spectrum
Having first heard them when I saw them open for mewithoutYou, I was very impressed. Their last album, Act III, is one of my recent favorites. Still, this latest release is actually a combination of nine EPs that they released in 2011. It may be a great album, but I just can’t make it thru it the entire way…
Switchfoot, Vice Verses
Just a great album all-around. Not mind-blowing, necessarily, but very good.
DISHONORABLE MENTIONS
Coldplay, Mylo Xyloto
I’m actually a bit of a Coldplay fan, so I was very much looking forward to their latest release, Mylo Xyloto. I heard a few early tracks and I began to get concerned. Then I heard the full-release, and…well…I basically had no desire to listen through it again. That’s a bad sign. Perhaps in a few months it’ll “click” with me, but I doubt it. I don’t know what happened here…
I confess that I would never have grabbed this album if it hadn’t been for the mention of Neko Case as part of the project. In fact, the earliest accounts of this album sounded like a collaboration between Jakob and Neko, but that wasn’t the case. Instead, we have a very Jakob-focused album with Neko (and her backup band, it seems) providing most everything else. The result, it turns out, is really quite fabulous. With the infamous T Bone Burnett at the production helm, Jakob has released a collection of songs that is arguably the strongest we’ve seen since the first Wallflowers release – and perhaps even stronger. The “twang factor” is very high with this album, but that’s bothering me less and less these days, it seems. All in all, a wonderful release.
Evidently The Shins are on an extended hiatus since releasing their last (and very successful) album, Wincing The Night Away. In the meantime, front man, James Mercer, has fruitfully collaborated with producer Dangermouse to release a surprisingly non-Shins and yet very entertaining album under the name Broken Bells. Mercer’s unmistakable vocal-style mixed with the slightly hip-hop-flavored undertones of Dangermouse’s production, Broken Bells is at times sparse, electronic, spacey, and moody. Quite honestly, I love it.
I’ve had very little time to enjoy this album, thanks to the lack of accessibility via the Zune Pass after the album’s initial release, but as you already know, anything involving Neko Case is probably ok with me. I’ll confess, though, that the band name has been a turn off for me (and likely others, I would assume), but there’s no denying that this is a powerful release from a talented group of individuals. Pop-inspired folk tunes, is probably the best way to describe it. Favorite tracks include “Crash Years” and “Sweet Talk, Sweet Talk”.
Although I’ve listened to Starflyer 59 off and on since the mid-90s, I wouldn’t have considered myself a “fan” until recently. In fact, it was probably their My Island album that I fully enticed me to embrace their impressive catalog of work. Having said that, I find that their more recent work appeals to me much more than their earlier stuff, which is likely quite opposite of the long time Starflyer fans, of which there are many. In any event, The Changing Of The Guard is probably my favorite release from Starflyer, with the incredible track, Cry Me A River, as one of my favorite songs of theirs. I’m sure that this album is not shoegazer-ish enough for the hardcore fans, but a release this strong may just usher in a whole new era of Starflyer fans. If you haven’t already, give it a listen.
In my opinion, Interpol has been releasing stronger and stronger albums with each release – and this album is no exception. Although I still consider this band to be an ‘acquired taste’ – primarily due to the droning vocal style – this may be their most commercially acceptable release yet. Interpol remains, as always, moody and melancholy, but they have a very ‘indie’ feel about them that I really enjoy. “Always Malaise” and “Memory Serves” are among my favorite tracks.
How do you follow up an excellent previous album? Well, if you’re Spoon, then you probably attempt to alienate a portion of your new found fan base with an album that is at times genius, eccentric, and (perhaps) entirely purposeful. I say that because I get the feeling that Spoon intentionally held back on this album – perhaps in an attempt to not dig too deeply into the Top 40 lists – and in the process limited their commercial appeal with Transference. Don’t’ get me wrong: there is some absolutely genius material on this album, but it never seems to reach the magnitude of Ga Ga Ga Ga Ga. Maybe that’s exactly what they were hoping for…… or maybe this album just isn’t as good. I don’t really know, but I still like it.
My good friend, Ken, recommended The National to me a couple of years ago. Again, due to inaccessibility via the Zune Pass *and* my lack of interest from the 30 second audio clips of the album, I passed on this band time and time again. For whatever reason, though, when I saw that High Violet was available, I snatched it up like a Christmas morning toy. I’ve not been disappointed. I would definitely consider The National to be an acquired taste, mainly due to the melancholy overtones and uber-low vocals, but for fans of Editors, Joy Division, or Interpol, this album is likely to hit the spot. Bloodbuzz Ohio is definitely one of my favorite tracks.
Strangely, previous releases from Arcade Fire did little to excite me. I enjoyed the song Keep The Car Running just fine, but the rest of the album felt pretty lackluster to me – and certainly not worthy of the hype that it received. Just my opinion, of course. I wanted to like Arcade Fire, but it just didn’t do it for me. The Suburbs, then, was met with fairly reserved expectations, but there was an undeniable sparkle to this album. I’ve found it engrossing, artistic, and challenging. Quite honestly, this is a very good album. The biggest surprise to me? The fact that this artistic, quirky band receives so much commercial success. Most of the “good” music goes largely unnoticed by the general public. Anyhow, this album is well-worth your time.
As my wife recently reminded me, the very first music I ever played for her (aside from my own music, of course) was Over The Rhine’s Patience. Needless to say, I’ve been listening to this band for a long, long time. Not only that, but I considered their album, Ohio, as my top album of the decade for 2000 – 2009. I like this band a lot. I will confess, though, that as they’ve moved toward a more “jazzy” sound, I’ve probably been less enthused with their releases – the difference being “really good” vs. “incredible”, in my opinion. We had the opportunity to download The Long Surrender as part of a pre-release purchase, which is why I’m including this album in my 2010 list, even though the general release is set for early 2011. In any event, this album is probably closer to their last release, The Trumpet Child, than any previous release – and that’s exactly what you’d expect. Having said that, The Long Surrender is slightly less jazzy than their last, and has all of the genius elements that you expect from Over The Rhine. My wife and I were also fortunate to have seen them “live” very recently, which featured much of their newest album, so we feel more intimately acquainted with this release and the stories of the songs it contains. Not my favorite OtR album, but a very good album nonetheless.
Back in the early 90s, I purchased a red Yamaha 750 Special motorcycle.

